Italian designer and architect
Alessandro Mendini (born August 16, 1931, Milan—died February 18, 2019, Milan) was an Italian designer, architect, editor, and essayist who played an important part in the development of Italian design during the second part of the 20th century. Aside from his artistic career, he worked and wrote for Casabella, Modo, and Domus magazines. In the 1970s, he was one of the main personalities of the Radical Ddesign movement. In 1979, he became a partner of Studio Alchimia, where he worked with Ettore Sottsass and Michele De Lucchi.
Mendini graduated from Politecnico di Milano in 1959 with a degree in architecture and worked from 1956 until 1970 as a partner with architect Marcello Nizzoli at his industrial design studio Nizzoli Associati. In 1973, he cofounded the architectural and urban planning studio Radical Design Group. In 1970, he also started his career as an editor; first as the managing editor of Casabella magazine from 1970 until 1976. He then served as a founder and managing editor of his own magazine, Mode, from 1977 until 1981, and then as the managing editor of Domus magazine from 1980 until 1985. read more
Alessandro Mendini changed the landscape of modern design through his quintessential works of postmodernism. Through his involvement with Studio Alchimia, Mendini drove the concept of Banal Design, exploring an assertive kitsch and whimsy style as an effective way for disrupting notions of value, function, taste, and style to encourage individual thinking. Just as works of other periods express the human values and sensibilities of their corresponding eras, Mendini’s work has contributed to bringing into the heart of design those “values” and “sensibilities” that have been eclipsed by commercialism and functionalism.
Among his most well-known designs are the 1978 Poltrona Kandinsky, a chair with Kandinsky-inspired decoration; the 1979 Poltrona di Proust, an armchair designed in collaboration with artist Franco Migliaccio and with the shape of a baroque chair from 1700s, but painted in pointillist style for Alchimia; the 1978 Kandissi sofa for Alchimia; the 1981 Cipriani liquor cabinet for Memphis; the 1984 Colonna cCabinet for Bruno Gregori; and the 2008 Mania cabinet. He collaborated with leading Italian design companies and international brands, including Zanotta, Driade, and Poltronova.
In 1983, Mendini started a long partnership with Alessi, first designing a set for the successful Tea and Coffee Piazza Alessi project, and then developing many other household products often in the form of whimsical anthropomorphic shapes, such as the series of Anna G. corkscrews (launched in 1994), and the the iconic Vaso Viso vase (2001). With regards to the Anna G. corkscrew series, a design inspired by Mendini’s friend the artist and designer Anna Gili, Mendini said: “I like irony, I like to play a game, I like to stay far away from rhetoric: that’s the reason why I let the objects I design express all these ideas, turning them into a sort of toys you can use even though you’ve grown up.”
Alessandro Mendini was a member of the Domus Academy and of the Associazione per il Disegno Industriale (ADI) and was a prolific writer and exponent of the intersections of design, taste, values, and function. He received the Compasso d’Oro of design in 1979 and in 1981, and was an honorary member of the Bezalel Academy of Art and Design in Jerusalem. He was named Chevalier des Arts et des Lettres in France, received the honor of the Architectural League of New York, the honorary degree at the Polytechnic of Milan, and the European Prize for Architecture Awards in 2014.
Alessandro Mendini and his brother Francesco founded Atelier Mendini in 1989, where he remained active creating furniture, products, and architectural designs in the studio right up to the time of his death.
Last updated: June 22, 2019
For more information on Allessandro Mendini, please visit Atelier Mendini
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